by RebeccaR: I knew I wanted to read this book because I was curious about a part of history which I had not heard about previously, but what I did not expect was to find the book so interesting. I hesitate to call it entertaining because it deals with such sorrow and pain, but the author is able to pull the reader into the lives of the young women. One feels as if the story is unfolding for the first time before their eyes. Sometimes people have a tendency to romanticize so-called "Good ol' Days;" this book makes it clear that there are some dark and very disturbing parts of relatively modern American history. Author Kate Moore conveys her genuine concern for the subject matter, and every chapter contains well researched and documented facts. I have already recommended the book to several friends.
by Betty Taylor (Macon GA): If you enjoyed Fatima Farheen Mirza's A PLACE FOR US, I highly recommend AMERICA FOR BEGINNERS.
Three misfits set out on a journey across America, a journey of evolution, and are changed forever.
Pival Sengupta, a newly widowed Indian woman, has booked a trip to America. Her servants are outraged! A woman just does not do this alone. But Pival is not going to see the sights of America. Instead, she is hoping to find her son whom her husband has told her is dead. After moving to America, Rahi revealed to his father Ram that he was gay and was immediately disowned. Then one night Ram took a call and told Pival it was from their son's lover in America and that Rahi had died. On her trip to America she wants to see what Rahi had possibly seen in America, perhaps walk where he walked before he died. But did he die? She wonders if her husband lied to her. She has had her doubts since the death was so sudden and there was no body returned to India. She is determined to find out the truth.
The characters in this story are each unique and all are engaging. From Mrs. Sengupta who is naïve about so much but determined in her mission, to Mr. Munshi, the hard-working Bangladeshi tour company owner who tries to pass himself off as Indian. The description of him that quickly comes to mind is a "snake oil salesman". One has to wonder how his business remains open given his naivety. Pival's guide is Satya who has only been in the US for a year and never outside New York City. He is sweet, extremely naïve, and always ravenously hungry. For reasons of modesty, Pival needs a female companion so Mr. Munshi hires Rebecca, an aspiring actress. This two-week tour being a companion sounds like a working vacation to her so she is thrilled to get the job.
As Pival, Rebecca, and Satya make their way across the country they are challenged by their cultural and generational differences. But they begin to evolve in their own self-growth and learn to see the world through someone else's eyes. They learn to appreciate the qualities the others have to offer. Barriers come down, animosities are forgotten, and true bonds are formed. There is humor, heartbreak, forgiveness, and acceptance. This story isn't about where they travel but rather the voyage itself.
by Erica (Chicago): If you, your parents, your grandparents or people you know are immigrants to this country, this book will touch you on so many levels. The first generation to the country, holding on to the beliefs that make them the people they are, even if they are the "old ways"; their children, being raised on their parents values, while struggling to find their own identity in the country of their birth. There are also the family dynamics of birth order, male child vs. female child, and how culture controls and plays into that. The look into this immigrant's family life is eye-opening and educational. Written with great sensitivity. I can't say enough good things about this book.
by Bookwormatheart (West midlands): While I have to Admit I chose this book out of sheer luck, I am so glad that I did, i can honestly say that it was humorous, desperately sad at times and wonderfully thought provoking. I am ashamed to say that like most people I fall prey to judging others before giving them a chance, whether it be by how they dress, speak or even simply that they are different and not as society sees "normal". To me the story bought to the forefront that I should not be so quick to judge, and that something that I may class as insignificant could be important to others. I have never had a book impact me in quite away before (I have read thousands) and maybe it won't effect the next person to read it, but what I will take away personally is this, I won't be so quick to judge, I will try to give an act of kindness to somebody everyday whether that is just a smile when they need it or an ear if they just need to talk. Never again will I take for granted the loving family and network of support. Before anybody says I am well aware this is fiction and maybe you think that I am being a tad over zealous with my ramblings and that is probably true but either way it bought home a few home truths about the way we treat each other and maybe just maybe it will encourage us to treat each other a little kinder and a little more accepting. Sorry for the essay but thanks for the lesson x
by Iris F: This was a meaningful and well written book. My heart went out to this family and I was moved by the women who took their food and customs with them wherever they went to make every new residence a home.
As a Jew it was difficult to see the animosity and the radicalization against them even though their problems were imposed by Arab nations. This resulted in somewhat of a mental block for me.
On the other hand it humanized these people. We live in the thought that Palestinians are brought up on the hatred of Jews. Other than the radicalization of two characters these people were portrayed as normal people who just want to live their lives like everyone else. From that point in the book on, I didn't concentrate on individual characters. I just read the book looking at the whole picture. I see this book as an important read and also a great book for book clubs to discuss. I will definitely read this book again and I'm glad I had the opportunity to read it.
by RebeccaR (Western USA): There are a lot of emotionally flawed human beings in this tale of Great-Depression-Era Georgia, and author Emily Henderson uses them to keep the reader on edge; one is never sure where the actions are leading, and this stays true to the very end. I can't really think of any good comparisons as many novels have these days, those "for fans of..." comparisons. There's a sprinkling of the more intense moments from Harper Lee's To Kill a Mockingbird. and a sprinkling of the evil moments from Girsham's A Time To Kill and yet there is a lot more: well researched facts about that era, knowledge of 1930's life in rural, small Southern towns where prejudice, false pride, lack of education or opportunity in general, and a distinct line between have's and have-not's seems to be permanent for generations. Author Henderson captures the dialect perfectly as some morally reprehensible characters stomp their way through some forced and tragic miscegnation. If you're a reader that likes fairy tale romances, then this book may not be for you, but if you like a good story, an amazingly complex plot, and historical accuracy, then buy this book A.S.A.P. I think it would be good for book clubs as well.
by B. Stalzer: Reading this novel I felt I was watching a story unfold page by page, character by character. It showed the beauty and allure of Alaska along with the reality of life in Alaska which was as difficult as it was wonderful. The people in town became their own family as much from necessity as from needing to connect with others who sought out the adventure of living "off the grid" in one of the most beautifully natural areas still considered a frontier. The people knowing that each has come for their own reasons, are careful in not overstepping their boundaries allowing everyone to find their own way but knowing no one can survive if they aren't able to take help when it's needed. Although the story centers on Leni and her first best friend, Matthew, there are so many intertwined stories throughout that enrich the reading and enjoyment of this book. Hannah has made all the pieces of this story work together to make it richer and true to life in a town so far removed from the rest of us. I cared about these people and came to understand them and know them. They became more than just characters in a book because Hannah's character development was so well done. From the beginning to the end, this novel kept my interest. Even as I was anxious to know what the final chapter would reveal, I was aware that I would miss the people, their town, and life in Alaska. I also listened to the audio of this book and it was one of the best books on audio I've heard.
by Davida Chazan: "It is 1945, and London is still reeling from the Blitz and years of war. 14-year-old Nathaniel and his sister, Rachel, are apparently abandoned by their parents, left in the care of an enigmatic figure named The Moth. They suspect he might be a criminal, and both grow more convinced and less concerned as they get to know his eccentric crew of friends: men and women with a shared history, all of whom seem determined now to protect, and educate (in rather unusual ways) Rachel and Nathaniel. But are they really what and who they claim to be? A dozen years later, Nathaniel begins to uncover all he didn't know or understand in that time, and it is this journey through reality, recollection, and imagination that is told in this magnificent novel."
Ondaatje is my favorite author, so a new novel by him is always something I'm on the lookout for. What makes Ondaatje my favorite isn't always the stories he tells, but how he tells them. In fact, sometimes Ondaatje can be confusing in his story telling, but even when things don't make perfect sense, his prose is always so exquisite that it doesn't matter. Goodreads also said about this book "In a narrative as mysterious as memory itself at once both shadowed and luminous Warlight is a vivid, thrilling novel of violence and love, intrigue and desire." Yeah 'luminous' is a very good word for what Ondaatje gives us, and he does succeed in giving it to us every time.
Rather than continue to be effusive about how Ondaatje writes (and you know I could go on endlessly), I think I should concentrate on the story, which is told mostly from the narrator's point of view, that being Nathaniel. I should note that in this book, Ondaatje moves between first and third person, where you get the feeling that Nathaniel is also narrating the third person sections, while at the same time, taking an omnipresent viewpoint. I know that doesn't sound like it makes any sense, but if you think of it as the 'imagination' part noted above from the Goodreads blurb, I think you'll understand what I mean here. My thinking is that Ondaatje needed the first-person parts to draw the reader in, and make them sympathetic to Nathaniel, but that viewpoint doesn't allow for the wider picture of things that happened beyond Nathaniel's own experiences; to include those events, he allows Nathaniel to imagine them from a distance, in both time and through piecing together clues he finds.
What this does is give us a very layered story, wherein Ondaatje starts with Nathaniel as a young teenager, and builds on this time in a mostly chronological order. Ondaatje then moves to Nathaniel as a young man, and this is where he introduces the third person/imagination sections of the story. These passages help Nathaniel fill in the blanks of his own life, but more importantly, he also learns more about his mother's life, and what really happened to her when she disappeared from his life. All the other characters seem to dance on the sidelines of Nathaniel's life, until their presence is necessary to add something to the story, and only then they can take center stage for a time. I found this fascinating in how it seemed to say that although you might sometimes feel that certain people have no significant impact on your life, in fact, there are no real minor characters, you just don't always understand their importance at the time. However, I don't think that was the main point of this book, although for me it was a substantial part. If I had to pinpoint what I think Ondaatje is saying here, I'd say that we must look at the title of the book and attempt to understand its significance. For those who read this book the word "warlight" only appears near the end of the novel when Ondaatje talks about how the British helped barges find their way on the Thames when they transported munitions during the war. What this says to me is that this story is more about Nathanial finding his way, than who or what was helping or hindering him along his path. If that means it is a "coming of age" story, then so be it, and I can't think of one more beautifully written than this. On the other hand, there was one phrase that Ondaatje used which I think may be even more significant in understanding what this book is about, and that's the one I used as the title of this review the consequences of peace. That simple combination of words is so powerful and evocative for me, that I'm sure I'll be thinking about it for a very long time, if only because it is an impeccable example of how amazing a writer Ondaatje proves to be, time and again.
That only leaves the question if this book has overtaken "The English Patient" and "The Cat's Table" as my favorite of Ondaatje's works, and I must be honest and say no those two are still my favorites. However, if until now I ranked "Anil's Ghost" as just below those two, I believe that this book has edged that novel out, but only by a just a whisper.
by Anl (Park city ut): When I read the premise on the first few pages, I was underwowed. As I read on, I changed my mind as the author wove this through the plot in a believable and clever way. The characters were limited and well defined, so as to make the book a pleasant read. As heavy as most of it is, there is enough upbeat and hope that I fell good at the end. It is also easy to read. Stays out of injected opinions about social issues or politics which seems so present in many books today. I would recommend this to anyone looking for a slightly heavier than normal read with a different premise and plot twists.
by Becky H (Chicago): The meaning of the title is noted three fourth of the way through the book when the family patriarch, Atef, reminisces, "the houses glitter whitely like structures made of salt before a tidal wave sweeps them away." His family 4 generations leave behind houses as war follows them from Palestine, to Kuwait, Lebanon, Jordan, Boston, Manhattan and back to Lebanon. One of the daughters in trying to identify her heritage is at a loss. Is she Palestinian she has never lived there. Is she Lebanese or Arab or Kuwaiti or
And that is the essence of this tale. What is our heritage? Is it the place of our birth, where we live NOW, where we lived before, how do we define ourselves? Alyan describes loss and heartache in beautiful prose. Her characters live and breathe. The sense of place is palpable. Although this tale is specifically Palestinian, the rootlessness of the refugee is timeless and placeless.
You will need the family tree at the beginning of the book to keep the generations straight. The time and place notations at the beginning of each chapter help the reader keep track of the family's migrations and the time frame of the various wars and tragedies from just before the 6 Day War through the current Middle East uprisings.
Lots for book groups to discuss here.
by JOHN WILLIAMSON (Saint Louis, MO): Warning: Many readers may find this book too dark, sad and brutal - unfortunately it is probably a very accurate of life at the time (1930's) and place (Georgia). As difficult as it was to read I was also compelled to finish the book to learn the fate of the "Gemini Twins". The author's third person narrative may be frustrating for some readers, but I enjoyed learning the main characters' thoughts and motivations. Although the chapters bounce back and forth through time, I felt the author did an excellent job of helping the reader transition from one time to another.
by Sandi W. (Illinois): Written in the true-to-life battle of workers rights, Wiley Cash does what he is so good at.
It is 1929 in Appleton County North Carolina and Ella Mae Wiggins struggles to make ends meet. Ella works in the American Mill #2 - designated mill #2 because they employee African Americans in that mill. Ella is Caucasian, and not only works with but lives in the part of town that African Americans live in. Hers is the only white family there. Likewise, she is paid less money because she works alongside African Americans. She cannot make ends met. When offered a ride to a union rally, Ella accepts. Little did she know how involved she would become as a union leader.
The story is told years later by her daughter, reveling the bitter and tragic life of her Mother. This novel outlines the early struggles of the labor movement in the Appalachian south. It was based on a true story.
This is Cash's third novel. He continues to amaze. Like the author John Hart, you impatiently wait for the next book published and cannot get it in your hands quickly enough.
by Sandi W. (Illinois): Such a good, but sad book. The investigation that went into this book is astounding. The author Kate Moore had to have spent every single waking minute on this book. To accumulate the facts and discover the court records and newspaper articles from the early 1900's in both New Jersey and Illinois, the transcripts and family histories, pictures and quotations, the number of documents alone had to have numbered into the thousands. Extremely well put together factual story that reads like a novel from the victims point of view. Kudos to Ms Moore.
Radium was not always known to be the deadly chemical that it is today. Many, many young women understood it to be very safe and even a wonder drug to be ingested freely. Until the young women who worked with it on a daily basis, with factories in both New Jersey and Illinois, started to become ill. Within months they lost all their teeth, their jaw bones crumbled, they started showing signs of bone cancer, losing limbs, even losing their lives. Their employer, the United States Radium Corporation (USRC), who suggested they "lip" the paint brushes they used in their job, insisted that the radium was not the cause of any of their workers ailments. It took the death of many young women and 38 years for the USRC to lawfully be deemed liable and forced to pay out benefits to any of the young women.
In the early 40's USRC factories were raised. The rubble was taken to land fills. It takes radium 1500 years to disintegrate past the point of being lethal, which means everywhere that the rubble from those buildings were spread, in both Orange, New Jersey and Ottawa Illinois and their surrounding areas, is still contaminated. Buried in the earth, under houses, close to water supplies, just waiting for the possibility to infect its next victims. In 1979 the EPA ordered the successor of USRC to start an environmental clean up in both areas. As of 2015 the radium clean up is still in process.
On the good side, this long deadly battle that our courageous fore-sisters fought brought to law the culpability of an employer being responsible for on the job safety and the beginning of the Industrial Occupational Hazards law.
by lani: A piercing commentary on America seen through Norwegian eyes makes this novel one of the best of the year. I found myself relishing this book, rolling each word over my tongue, tasting it, digesting it and oh so appreciating it. Take one smart ass sheriff and mix it with an erudite logical police officer (Sigrid)from Norway and you have the basis for a story that cannot fail to delight and one that you may want to read over and over. When Sigrid's brother, Marcus who is living in the US, disappears, Sigrid travels to the USA to try and find him and see what is wrong. All of the police force believe that Marcus is responsible for the death of a black female college professor with whom he was having a relationship. However, Sigrid refuses to believe this and uses her scholarly investigative capacities to try and convince the sheriff that there could be other alternatives. I suppose this could be labeled a mystery but it was such a wonderfully drawn and unconventional novel that discusses race relations(at a level I found enamoring), religion, individualism that it is so much more. If you are looking for a novel to make you think, race to get this. I bet you will not be disappointed.
by CC: Lots of twists and turns and I'm still taking it in after finishing it. The ending didn't bother me at all, in fact I don't think it's an ending, but perhaps a beginning for another part of their life, if the author chooses to pursue it. If not, you can hardly speculate what's going to happen with a child in their lives, but kind of intriguing to think about.
Amy was incredibly brilliant as the villianess, I had to admire her craftiness and cunning, even though she was the ultimate she-devil. The author did a great job with weaving the dynamics of this intertwined relationship . It's a powerful codependent hate/love story to the conniving max. I found myself living vicariously in her antics. Wishing I had known her years ago when I went through a bad relationship, I'm sure she could of gave me some tips. But she's way too extreme in a crazy, psycho, manipulating, cunningly supreme, way. Even her husband had to stand in awe of her abilities and recognize her 'talent' in the most of his most lowest points. She was his crash course in absurdity and the many moods of marital obsession and I think he got it. He became a learned student. Let the games begin ... he's ready.
by Lorri A Steinbacher (Ridgewood, NJ): I went into this thinking that it would be an "issues" book, but it is far more than that. It is really a character study of a particular woman, a particular mother over time. That this particular mother adopted a child of another race was important and would certainly generate discussion in a book group, but what fascinated me was Rebecca herself, her feelings, her motivations. I won't say that I liked her, because I didn't, not always, but Alam made me want to know what she was thinking. Recommended for readers who like literary fiction with compelling female characters and who don't mind if the "action" is interior growth. Good for book groups.
by Cloggie Downunder (Thirroul): "When you are drawing you are actually learning how to see. You do this through looking. Looking is untarnished glass. No green bits of judgement hanging from the lens. In order to draw you must to learn to see how things are not how you wish they were, or once were"
Paint Your Wife is the 10th fiction book by New Zealand author, Lloyd Jones. It starts with the mayor of New Egypt, Harry Bryant returning from a visit to his son in London. It is the late 1990s, and Harry's town, on the North Island of New Zealand, has fallen on hard times. The paint factory has closed up; ideas for tourist attractions fail to gain funding; long-time locals are beginning to abandon the town for more prosperous places. In a last ditch attempt to attract attention, Harry gets Alma Martin to reproduce his old portraits of the town wives in a public space: it generates some outside interest, but also acts as a sort of catalyst for the locals, as does the arrival at Harry's place of business (Pre-Loved Furnishings and Curios),of a young couple with twins, looking for accommodation.
Alma Martin lives in the old Fire Warden's cottage on the hill near Harry's mother's farm. He has tried his rather talented hand at quite a few things: colour technique at NE Paints; teaching; wartime rat catching; and, in lieu of payment for said rodent extermination, sketching and painting the wives of the town.
His most constant model was his neighbour, Alice Hands, but all the women, once they got the hang of sitting ("It is hard to know what to do with yourself the first time you sit. You are suddenly aware of your arms and legs, too aware, and as soon as that awareness slips into place it's as if those limbs were never really an integral part of you at all, but clumsy add-ons") were happy to do so: "As far as the rest of the women in the district were concerned, to be looked at or observed as rare as sugar or chocolate. They could have looked in the mirror, of course. But there is nothing like another's eyes to set us alight, to make our nerves stand on end, to tell us, in effect, who we are"
They learned to be silent because: "When a sitter begins to talk the pose loses all its binding; arms and legs fall away, the mouth widens, the tongue waggles, a sense of form withers" and enjoyed his attention ("You know something, Alma, when you are drawing I feel like you're touching me") and even his talks on art and artists ("It was the war years and everything was in short supply including stimulation. Like plankton eaters they sat with their mouths and minds wide open").
Jones gives the reader a cast of charming and often quirky characters; the vignettes that fill in their backstories are captivating; there is plenty of humour and a fair share of wisdom; the feel of the town is well-rendered; the descriptive prose is a joy to read, making it difficult to choose just a few quotes to illustrate this. "In quick time the surrounding farmland revealed itself, straw-coloured, the black flecks of telegraph poles; and on the far edge of everything stood the ranges, in shadow at this time of day, but their jaws dropped open in the February heat" and "Some strain told on the window panes - a tension where the floor went one way and the windows another; it was an arrangement that made the ordinary blue sky sing in the way glass achieves in chapels and courtrooms" and "He tells her that it's like trying to nail a fast-moving cloud to the one spot in the sky. Hopeless if the sky is moving about too" are good examples.
Alma's advice on drawing is also superbly expressive: "Light and shadow, he liked to say, are in constant negotiation as to which parts of the world the other can have" and " seeing is not the same as looking. And in learning how to draw what you really learn is how to see. Once you learn how to see, good or bad or better doesn't come into it" are just two illustrations of this.
This offering by Jones is a delightful read, moving and uplifting, and loaded with gorgeous prose. This book was originally published in 2004, two years before the prize-winning Mister Pip, but this new edition by Text Publishing has wonderfully evocative cover art by W.H.Chong. Highly recommended.
by Linda Locker (Pickerington, OH): Salt Houses is a difficult story and the author did not shy away from difficult situations and family conflicts. It is the story of displacement and yearning for something called "home." The book covers almost fifty years in the life of a Palestinian family, spanning the years 1963 to 2014. The family tree included in the front of the book was very helpful. Each section is told from the perspective of a different family member. I thought the voice of the girls and women were particularly strong and very candid. The story did move slowly and I was expecting a greater building to a climax. But, the characters rang true and the author gave hope in the end. The story of this family, unfortunately, has been lived by many, many refugees. This diaspora continues to impact the stability of the world today. Salt Houses gives a very personal insight into the real lives of displaced persons and encourages empathy and understanding. I would recommend this book for those who have a real interest in the Middle East and the challenges of it's displaced people.
by janis Rezek (U.S. A. state West Virginia): This account of China's one child policy shows the far reaching unintended or latent consequences of this social policy. On the surface we think of the intended consequences of a social policy being put into place. Now looking retrospectively we can see the consequences are multidimensional. They are cultural, economic and political. The part that brought the most surprise to me was the impact on aging parents and who would care for them. I intend to use this book in one of my sociology courses to demonstrate the impacts a social policy can make and how we need to use a holistic approach when policies are being made. This a a very good read for anyone interested in the cultural aspect of economics and politics.
by Cloggie Downunder (Thirroul): The Midnight Watch is the first novel by Australian teacher and author, David Dyer. While the story of the sinking of the SS Titanic in April 1912 will be familiar to most people, the part played in the drama by the master and crew of the SS Californian is probably less well-known. While it is argued about, many accept that the Californian was the ship closest to Titanic when she sank; was, in fact, within sight of Titanic, and did not react when Titanic fired off eight distress rockets at five-minute intervals, except to signal with the Morse lamp. Nor did they try to contact the Titanic via wireless.
Dyer tells the story of what probably happened on the Californian that night, what the master and the crew did, and what occurred on their arrival in Boston, as well as their testimonies at the subsequent US Senate Inquiry in Washington DC and the British Inquiry in London. His narrator is John Steadman, a fictional journalist for the Boston American, whose story was instrumental in forcing master and crew to appear before the Inquiries.
The latter section of the book is a story titled Eight White Rockets, which Steadman has written as "an account the sea tragedy of the Titanic and the Sage Family", an actual family of eleven which perished in the sinking. Dyer's story is historical fiction but is based on fact. Many of the characters he fills out for the reader actually existed, and much of what he describes is backed up by witness accounts. Some of it is likely to leave the reader gasping.
Dyer's expertise in this field is apparent on every page. It should be noted that he spent many years as a lawyer at the London legal practice whose parent firm represented the Titanic's owners in 1912. He has also worked as a cadet and ship's officer on a wide range of merchant vessels, having graduated with distinction from the Australian Maritime College. His talent as an author ensures that this already-fascinating story takes on a human aspect. As well as being interesting and informative, this is a moving and captivating read.